This was the first series I read in its entirety. Granted it was out of order, so I thought it was time to give it another try from the start. And in order – the way it was meant to be read.
After the death of their parents in a house fire, siblings Violet, Klaus and Sunny are put into the care of Count Olaf who immediately mistreats them behind closed doors. The three of them seek escape, but when adults don’t listen to them or care enough about them they need to take matters into their own hands to work out what the Count has planned for them in order to get their fortune, locked away.
This novel was introduced to me at age 8 by my teacher, who was a huge fan of the series. This was a particularly impactful series for me because it signified a coming of age for me, much like each character experiences gradually at some point in the series. For me, it was the abandoning of 50-page “chapter” books on fairies and unicorns.
This novel’s biggest strength is definitely its mood. It had a way with putting pessimism on things in simple ways. I feel like it could’ve been described more, but with it being middle grade it worked out fairly well in how the mood was set. This novel would scream dark academia if it was released in the past five years. Well, it still could, but that would be a huge marketing point for this novel if it was newer to shelves.
With it being a middle grade novel, it definitely embraced that side of things. At times it was charming and others it was annoying. Snicket definitely had his clever moments in his writing, but at times they were foreshadowed by how often he explained the meaning of a new word. This wasn’t that much of a deal to me when I read it at the appropriate age, but reading it as an adult I found it passively condescending. Ironically, so did Klaus when adults tried explaining things to him.
The interesting take this novel took was explaining tragedy, trauma and other mature topics to a younger audience. A lot of it is glossed over, but the parts that stayed were very impactful altogether. The parts that explained emotions and behaviours the children experienced, the shock factor of the abuse the Count put them through, how they care for each other. That’s what particularly drew me in – how it was never floury or joking over that aspect of the novel. It had the space to be quirky and eccentric, but knew when not to be.
I’m definitely not as into it as I was initially, but I think this series is one I’ll keep going through and rereading. Just to see what the whole story looks like.
The Bad Beginning gets a score of 3.5/5. Not a bad start for a bad start.
Yours in writing