This is the first book that BookTok has convinced me to buy.
In an alternate near future, the Scion government rules over London in attempt to prosecute the illegal acts of clairvoyance and the communion of spirits. The most powerful clairvoyants are found in underground gangs amongst the many districts, including Irish immigrant Paige Mahoney. However, when she gets arrested she isn’t killed or brainwashed like she expects to be. She is taken to the off-grid city of Oxford where her kind is enslaved by otherworldly Rephaim to keep the world from destruction. Paige soon discovers that her particular branch of clairvoyance is very sought after, and she must both utilise it and hide it if she wishes to escape.
Fantasy Dystopia is a genre less talked about than other fantasies, and the worldbuilding of this book just goes to prove how good it is. In retrospect I realise it was a lot of information, but it was present and explained in ways that made perfect sense. I’m a huge fan of magic centric worldbuilding and seeing the implications of it. The abstract ways the aether and spirits worked to the will of clairvoyants was especially entertaining for me, especially from the perspective of Paige who was blind to them but could still sense them. Better still was the contrast of the urban and typical dystopia of London put against the archaic and rustic Oxford, very well captured introductions to these key locations which I hope to see more of in the future.
Flashbacks were used a lot in this novel, but for once it didn’t annoy me how often it was used. That’s because they added to the story, the main character and supporting characters who appear later in the plot. It also became a unique way to build out the world, with the flashbacks being in different locations to the present. I’ve read and reviewed other books where flashbacks have been pivotal yet ruined the experience, but this novel done it in a way that made so much sense and became very entertaining to get through. I was happy to come across another flashback as a result.
However, like many other novels this one suffers from the same issue – the lead romance feeling unearned! There were moments where I looked at it and saw it coming, but even when the kiss came to fruition I couldn’t help but wonder how things escalated so quickly. I’m not denying that they care for each other, but to a romantic kind of degree? I didn’t see any thoughts of it that way until the final chapters. It felt like the kiss was shoved in there at the end instead of later in the series to do service to some kind of audience – what kind? I’m not sure.
Moving onto characters and relationships, which was a mixed bag altogether. Few of the characters stood out in spite of clearly unique personalities, and while relationships were there and solid I felt like they could’ve been expanded upon more. This made the stronger characters, such as Jaxon and Nick, cast the rest of the cast in shadow and have the emotional stakes involving them get dampened.
Luckily there will be more books in the series to get to know the characters that are still sticking around. I am still very much looking forward to what the rest of the series holds.
The Bone Season gets a score of 3.5/5. What a wonderful world, but the characters constructively need more work.
Yours in writing